Christian Ignatius Latrobe was an English clergyman of the Moravian Church, and a painter and composer [IC]. In 1815 his church sent him to the Cape to visit its mission stations, and he spent much of the next year at Genadendal [IC]. While he was there, he and the missionaries drew up rules for the village, which its residents accepted as a “Brotherly Agreement” [MS]. His Journal of a Visit to South Africa in 1815 and 1816, published in London in 1818 with his own coloured illustrations, is one of the fullest accounts of Genadendal in those years [IC].

What the letters in square brackets mean

Facts on this page are followed by a tag that shows where they come from.

  • [IC] Independently Corroborated. Confirmed by at least two sources that do not depend on each other, or by an official record.
  • [MS] Mission-Sourced. Comes from Moravian records, Latrobe’s own journal, and the histories written from them, above all Genadendal: A Long Walk by Isaac Balie.
  • [TBV] To Be Verified. Seems likely, but nobody has confirmed it yet.

At a glance

Born12 February 1758, at the Moravian settlement of Fulneck, Yorkshire [IC]
Died6 May 1836, at Fairfield, Lancashire [IC]
Known forHis visit to the Cape missions in 1815 and 1816, his journal of it, and his sacred music [IC]
Link to the valleyHe drew up Genadendal’s rules of 1816, painted the village, and planned the mission at Enon from there

His life

Latrobe was born at Fulneck, a Moravian settlement in Yorkshire, and was ordained in the Moravian Church in 1784 [IC]. He worked for the church’s missions for most of his life [IC]. He was also a composer and a friend of Joseph Haydn, and he edited a six-volume Selection of Sacred Music that brought works by Haydn, Mozart, and others to English audiences [IC].

At Genadendal

Latrobe reached the Cape in 1815 and visited the missions at Genadendal and Groenekloof (Mamre) [IC]. From Genadendal he travelled east through George and Uitenhage to the Great Fish River, and planned a new mission station, Enon, on the Witrivier near Kirkwood [IC]. Balie’s history says he made the journey to Algoa Bay in an ox-wagon built at Genadendal, which is now in the mission museum [MS].

During his visit, rules for the residents were drawn up and agreed by all [MS]. They were meant as an agreement between brothers, and did not have the force of law [MS]. Among them: that anyone who wished to live at Genadendal would follow the teaching of Jesus and his apostles; that residents would keep their persons, houses, and surroundings clean; that everyone would stay at home in the evening; and that no one would bring strong drink into the village [MS].

He wrote about what he saw. He noted that the missionaries spoke a Dutch so mixed with German that both a German and a Dutchman could understand it, and called it “Genadendal Dutch” [MS]. He described the church of 1800, the funerals of the Khoekhoe residents, and the gardens, whose appearance, he wrote, “betrays the disposition” of each gardener [MS]. He met the Khoekhoe captain Koopman, who told him that the grazing land given to the church and two neighbouring farmers left his people too little for large herds [MS]. When a Hessequa deputation objected that the missionaries had named a captain from the Koopman clan, Latrobe told them that as one congregation they should rejoice in Christ, “the only Captain of our Salvation”, whatever tribe or nation they belonged to [MS].

He painted Genadendal and its buildings, and his pictures are among the earliest views of the village [MS]. When he left, he wrote that he had never felt a keener pang on leaving any place [MS]. On 20 June 1828 a portrait of Latrobe, sent from London, was unveiled at Genadendal, and it now hangs in the museum [MS].

  • Hans Peter Hallbeck was appointed superintendent at the Cape after Latrobe’s visit, and arrived in 1817 [MS].
  • Christlieb Booda was one of the Khoekhoe captains at Genadendal at the time of his visit.

His legacy in the valley

  • The rules of 1816 shaped life in the village for generations [MS].
  • His journal and paintings are among the main sources for Genadendal in the 1810s [IC].
  • The ox-wagon and his portrait are in the Genadendal Mission Museum [MS].

What is still open

  • How the residents saw the rules of 1816, and whether any record of their own survives.
  • Whether the wagon in the museum is the one he travelled in. Balie’s history gives two accounts of who built it.

References